cross-pollinate

How would you explain to 12-14 year old kids why learning to improvise and compose songs is part of the simply music program? How does it help them learn to play songs, if that is their goal? Do you have the Tune Toolkit Program? The…

• Last updated 2 years ago
• #ttci, arranging, benefits of improv, C & I, C&I, comp & improv, comp and improv, comp/improv, composing, composition, composition skills, CP, creative projects, creativity, cross-pollinate, developing creativity, developing generative skills, expression, fun, generative, generative learning, generative students, Gordon Harvey, handling mistakes, improv, improvisation, improvise through mistakes, improvising, interpretation, interpretation of classical pieces, jazz interpretation, keep going through mistakes, mistakes, musical expression, playing through mistakes, refusing to compose, refusing to improvise, resistance to c&i, self expression, self generative, skills, Tune Toolkit

I’m generally very rigorous about following Neil’s instructions, since time and again I’ve come to understand why he does things the way he does. I’ve recently had a situation where I felt I had a good reason to do something a little differently from what…

• Last updated 2 years ago
• changing chapter order, context, control the events, controlling the events, CP, cross pollination, cross-pollinate, CTE, dosage, dose, doses, down-level, fragmenting, Fragmenting-Layering, fragments, Fur Elise, Fur Elise A Section, Fur Elise complexity, Fur Elise left hand, Fur Elise LH, Fur Elise order, hybrid, Laurie Richards, microdose, Neil Moore, out of context, re-teaching pieces, re-teaching songs, re-working pieces, re-working songs, single thought process, single thought processes, small doses, smaller dose, smaller doses, STP, technique for Fur Elise, up-level

Hi everyone. I’ve had two students request to learn the Happy Birthday song. Any suggestions…SM method? I briefly came up with one but wondering if anyone else has a tried and true version to share? So easy and fun. I do not tell them what…

• Last updated 3 years ago
• cross pollinating, cross pollination, cross-pollinate, Happy Birthday, Minuet in G, Minuet in G Level 2, Minuet in G LH, Minuet patterns, playing-based, playing-based arrangements

Is the idea with the 3-note comp/improv exercise that the students are to play three consecutive white notes in the RH or can they be any three notes, black or white? I get them to pick any 3 white notes without telling them about the…

• Last updated 4 years ago
• 3-note improv, benefits of improv, comp & improv, comp and improv, comp/improv, composing, composition, CP, cross pollinating, cross pollination, cross-pollinate, ear training, home base, improv, improv at lessons, improv for beginners, improv ideas, improvisation, improvisation ideas, improvising, Laurie Richards, major vs. minor, student composition, three-note improv, writing compositions

I have noticed that The Mirron seems to be tough for students. Any advice on when to introduce this? Maybe Time for More Music should be mostly completed, I’m gathering. It looks like these Jazz pieces may unfold over an extended period of time. You’re…

• Last updated 7 years ago
• acc 2, accomp 2, accompaniment, cross-pollinate, jazz, jazz clues, Robin Keehn, tfmm, Time for More Music

I have a 12-year-old student in Foundation 8 who is especially interested in classical music. He recently brought in a crazy complicated Chopin piece (Revolutionary Etude) he wants to learn. I have the skills to help him dissect the piece and learn to play it,…

• Last updated 6 years ago
• applying PB strategies to music, chopin, classical music, cross pollination, cross-pollinate, Gordon Harvey, identifying patterns, Laurie Richards, teaching difficult music