transcribing

Looking for advice from the music theory nerds in our community. I’d like to incorporate more theory for some of my teens and students in higher levels. What do you use? Books? Online tools? This is for students in levels 7 and up, who are…

• Last updated 2 years ago
• 2-5-1, 2-5-1 chord progression, 7th chords, alternative perspective of scale, chord progression, chord progressions, chord theory, circle of 5ths, circle of fifths, dominant 7, dominant 7th, dominant 7ths, ear training, integrated theory, intervals, jazz chords, key chords, major 7, major 7th, major 7ths, minor 7, minor 7th, minor 7ths, naturally occuring 3s and 4s, naturally occurring chords, naturally occurring notes, Neil's Responses (YouTube Videos), NO 3 & 4, NO34, PB, playing-based, relative key, relative major, relative minor, relevant, role of scale, root chords, root position, scale, scale formula, scale theory, scale tone chords, scales, theory, theory workshop, transcribing, transcribing composition

I am at the end of the Reading Rhythm TTM in my own learning process and have a question about transcription. I see that ties and dotted notes (like all the other ingredients) include the step of “Continuing to process transcriptions into MOR.” As someone…

• Last updated 2 years ago
• beat, clapping, clapping the beat, dosage, dots, dotted, dotted half, dotted notes, dotted quarter, eighth notes, Gordon Harvey, half notes, Laurie Richards, quarter notes, Read and Play, Read n play, reading rhythm, RR, sixteenth notes, tied notes, ties, transcribing, transcribing Reading Rhythm - transcribing, transcribing rhythm, transcription

Transcribing question: in the score for Greensleeves, do the eighth notes in the RH have to be written in groups of 3 because of the 6/8 time signature? Rather than the groups of 4 we have been used to seeing in RR? Yes, because in…

• Last updated 3 years ago
• 6/8, A Traveler's Tale, Amazing Grace, cycles of 3, cycles of 4, eighth notes, Greensleeves, melody for Amazing Grace, reading, reading concerns, reading problems, reading rhythm, RR, teaching reading, time signature, transcribing, transcribing Reading Rhythm - transcribing, transcribing rhythm, transcription, Traveler's Tale, triplet, triplets

I am in my first go-round of teaching Reading Rhythm. I think it’s going alright, and I have looked through the ECL archives, etc, but I still just would love to hear more ideas from you all of how exactly it looks in your studio,…

• Last updated 3 years ago
• Laurie Richards, masters of the rhythm, mor, MORs, note disc, note disk, notes disc, notes disk, processing MORs, reading rhythm, RR, transcribing, transcribing Reading Rhythm - transcribing, transcribing rhythm

Here’s another getting ready for Reading Rhythm question: Has anyone used hand drums, rhythm sticks, etc. in shared lessons when working on RR? Do you find them helpful and fun, or distracting? Where do you find a good value on quality rhythm instruments? What else…

• Last updated 3 years ago
• clapping, clapping the beat, drums, dry erase, dry erase board, feet, hand drum, hand drums, helping students feel rhythm, improving rhythm skills, Lynn Kleiner, Lynn Kleiner Drums, Lynn Kleiner Drums by Remo, marching sdq, masters of the rhythm, mor, MORs, pat hands, patting hands, playing rhythm tracks, processing rhythm, processing rhythms, reading rhythm, reads rhythm, rhythm, rhythm audio, rhythm instruments, rhythm sticks, rhythm streams, rhythm tracks, RR, SDQ, tap feet, tapping, tapping feet, tapping sdq, teaching rhythm, transcribing, transcribing Reading Rhythm - transcribing, transcribing rhythm, writing rhythm, writing rhythms, written rhythm

Reading Notes – I have a couple of students currently, one senior and one middle school age, who seem to struggle with grasping the intervallic note reading process. Sometimes I wonder if it would be easier for certain students to learn note reading the old-fashioned…

• Last updated 4 years ago
• bass, bass F, clef symbols, clefs, expectation, expectations, identifying notes on keyboard, identifying notes on piano, identifying notes on staff, identifying written notes, interval streams, intervallic, intervallic reading, intervals, introducing reading notes, Laurie Richards, learning note names, location points, managing expectations, naming notes, note names, note naming, note reading, notes, Placing Intervals, reading expectations, reading notes, RN, RN streams, staff, streams, talking about expectations, teaching streams, transcribing, transcribing notes, transcribing Reading Notes, treble, treble G

Transcription projects in Reading Notes: are you just having them write notes on a staff as you verbalize different intervals? Do you start having them identify note names as they figure out intervals? Other ways to do transcription projects with notes? Yes Jen they write…

• Last updated 4 years ago
• Gordon Harvey, identifying notes on staff, identifying written notes, interval streams, intervallic, intervallic reading, intervals, introducing reading notes, Laurie Richards, learning note names, naming notes, note names, note naming, note reading, notes, pace of reading program, Placing Intervals, reading, reading notes, reading process, reading program, RN streams, streams, teaching streams, transcribing, transcribing notes, transcribing Reading Notes, transcription

I have just finished Reading Rhythm. It felt to me like it wasn’t quite finished and I have a couple of questions: 1. The read, transcribe, and play exercises that we introduce during ties, should this be an ongoing thing even after they have finished…

• Last updated 7 years ago
• Laurie Richards, Read n play, reading rhythm, ties, transcribing, writing rhythms

I have a quick question, am wondering if anyone can help me…. If we have students writing, writing, writing through RR and RN, then, how do they keep writing when they want to write their music in a key that is not C? (and not…

• Last updated 10 years ago
• generative students, Gordon Harvey, key signature, reading, sharps and flats, Time for More Music, transcribing