active listening

I want to share something I’ve been reflecting on as a teacher — not as a criticism of traditional classical training, but as an explanation of why I choose to teach the way I do. Traditional classical music education has given the world incredible discipline,…

• Last updated 4 months ago
• active listening, asking why, benefits, casual performance, classical, classically trained, cognitive understanding, communicating benefits, comparing traditional to Simply Music, competing methods, confidence as a student, creativity, developing creativity, different facets of musicianship, engage, enjoying the process, informal performance, keeping children engaged, keeping students engaged, listen, listening, method, method comparisons, methodology, methods, music as a lifelong companion, musicianship, natural musicianship, other methods, performance, performing, performing in front of others, playing-based, public performances, reading-based, SM vs traditional, tradition lessons, traditional, traditional background, traditional experience, traditional lessons, traditional studio, traditionally trained, training, training students, trust the method, trust the process, trusting the method, trusting the process, trusting the program, well rounded musician

I find that my students who don’t like to sing often shorten the ends of phrases in Dreams, Dog, Sleeping, Fur Elise, etc. so they have to work at unlearning, then learning the correct rhythm by singing with me, reviewing the audio, playing with the…

• Last updated 1 year ago
• active listening, audio, audio recording, Audio recordings, complex rhythm, counting, counting as lyric, difficult rhythm, Dog, Dreams, Dreams Come True, external speaker, external speakers, feeling rhythm, Fur Elise, Fur Elise tempo, getting an even rhythm, helping students feel rhythm, how to play, improving rhythm skills, isolating rhythm, listen, listening, listening to audio recordings, listening to the audio recordings, managing singing, natural rhythm, play SH along with audio, play SH with audio, playing along with audio, playing with audio tracks, practice SH along with audio, practice SH with audio, processing rhythm, processing rhythms, rhythm, rhythm difficulty, rhythmically challenged, singing, singing along, singing in class, singing off key, singing off pitch, singing while playing, singing while playing struggle, single thought process, single thought processes, sleeping, speaking instructions out loud, STP, student lacks rhythm, teaching rhythm, using audio recordings, using audio tracks, using the audio recordings to learn songs, using the audio recordings to move ahead, voice, what to play

TRUE CONFESSION – I’M NOT SURE I UNDERSTAND HOW WE SHOULD USE NEIL’S NEW BALLADS, SONGS AND VIGNETTES VIDEOS WITH OUR STUDENTS… I FEEL I MUST HAVE MISSED A KEY LINK. THANK YOU! Here’s my response to Ruth’s question: How to Use BSV https://www.youtube.com/watch?v=J6Emzinb12I&list=PL3o0aF_9qHn4F2sy8QRuPb_jf_r4D9823&index=2 I’ve…

• Last updated 4 years ago
• active listening, Ballads Songs & Vignettes, BSV, demo, demonstration, listen, listening, listening to audio recordings, listening to the audio recordings, Neil's Responses (YouTube Videos), performance, performing, performing in front of others, preparatory learning, supplemental programs, Supplemental reading projects Reading pieces you’ve used

I was just speaking with an adult student about how she is too afraid to play in front of anyone in case she makes a mistake, even her husband! She also mentioned that it is always her left hand that she can’t remember and has…

• Last updated 4 years ago
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