blues & improv
Blues Ensemble Approach
This is a question about The Blues Improv Program. When we get to The Ensemble Approach Project #15, when you use the Bishop Chords or 13ths in the LH and the Blues Scale in the RH, my students say it doesn’t sound good when we…
- Last updated 2 years ago
- 13th chords, B&I, Bishop chords, blues & improv, blues & improvisation, Blues and improv, blues and improv program, blues chords, blues harmony, blues in every key, chord voicings, chords, complex chords, don’t like blues, ensemble, ensemble playing, identifying Bishop St chords, teaching help with blues and improv, voicing, voicing chords, voicing jazz chords
Blues Infusion vs. B&I
I would love some feedback please… as I really love the Blues Infusion Program (what I have seen so far of it) but also the Blues & Improvisation Program… My F6 student (who has also just completed TFMM and is working through the second part…
“Blues Surprise” Playlist
I recently put together this Spotify playlist of songs that many people may be surprised to find out use the 12-bar blues structure (or fairly minor variations of it). I left out lots of the early rock era (1950s-1960s) songs that use 12-bar structure, since…
- Last updated 4 years ago
- 12 Bar blues, blues, blues & improv, blues & improvisation, Blues and improv, blues and improv program, blues and jazz, blues chords, blues harmony, blues recordings to play along with, blues rhythm, blues riff, blues scale, blues scales, blues songs, blues variation, don’t like blues, ear training, outside materials, outside music, outside pieces, pieces outside the program, songs outside the repertoire, Spotify, Spotify playlist, variation, variations
Triplets
Just wondering when do triplets get introduced in the curriculum? For some reason I did not see them in RR. Are they mentioned later in context of a specific song? I believe the first time they appear is in Blues & Improv “hickory” rhythm. But…
- Last updated 4 years ago
- A Traveler's Tale, A Traveller's Tale, Amazing Grace, arr, arrangement, arrangements, B&I, blues, blues & improv, blues & improvisation, Blues and improv, blues and improv program, complex rhythm, difficult rhythm, FL6, FL7, FL9, Foundation 6, Foundation 7, Foundation 9, foundation level 6, foundation level 7, foundation level 9, Fur Elise, Fur Elise C section, Gordon Harvey, hickories, hickory, masters of the rhythm, reading, reading rhythm, reads rhythm, rhythm, rhythm streams, rhythm tracks, rhythm words, RR, teaching rhythm, tfmm, The Gaz, Time for More Music, time for music, Traveler's Tale, Traveller's Tale, triplet, triplets, using words in rhythm learning, voicing rhythms with words, Walk at 11, Walk at Eleven
Standard Blues Progression
Why do we teach the 12-bar blues with CFCC as the first 4 instead of the standard CCCC that is everywhere else? Personally I like the F added in as it makes it more interesting. But does SM have a reason? I’m guessing congruency, so…
- Last updated 4 years ago
- 12 Bar blues, blues, blues & improv, blues & improvisation, Blues and improv, blues and improv program, blues chords, blues songs, blues variation, chord, chord charts, chord progression, chord progressions, chords, finding blues chords, I-IV-V chords, identifying patterns, Jackson Blues, patterns, remembering patterns
Blues Scale Fingering
I am doing the Blues Improvisation ‘Blues Scales’ and have a question about fingering patterns. In the C scale we use F1 on White notes and F3 on Black notes but what about in other keys? I don’t know if I’ve missed it somewhere… but…
- Last updated 4 years ago
- adapting fingering, blues, blues & improv, blues & improvisation, Blues and improv, blues and improv program, blues fingering, blues harmony, blues in every key, blues scale, blues scale fingering, blues scale in different keys, blues scales, blues scales fingering, figuring out fingering, finger adaptations, fingering, fingers, improv, improvisation, Laurie Richards, Neil Moore, scale fingering, teaching help with blues and improv, unfolding blues scale
Blues Scale Fingering
Is there anywhere in the program that explains how to count and play triplets? (of quarter, eighth or 16th notes)? When doing the blues improv in some keys, like Eb, the blues scale notes don’t seem to fit with I, IV, V. In other keys…
- Last updated 4 years ago
- blues, blues & improv, blues & improvisation, Blues and improv, blues and improv program, blues chords, blues fingering, blues harmony, blues scale, blues scale fingering, blues scale in different keys, blues scales, blues scales fingering, counting rhythms, don’t like blues, fingering, Gordon Harvey, improvisation, rhythm, rhythm words, triplet, unfolding blues scale
Webinar Series: 04/19/2018 – Piano – Ask Neil Anything
This webinar is driven by teacher questions. Topics range from the rationale behind some of the curriculum to supporting coaches to the future of Simply Music. Enjoy! Topics include: Intro: Funny Story About Neil (00:05) Helping Parents be ‘Requirement-Based’ (2:06) How Teachers Can Improve Their…
Blues & Improv question
In project 7C of Blues & Improv, students work towards inventing phrases spontaneously. With the invention part (when students start to vary the rhythm in each measure), is it expected that students play the 4 notes in the same order each measure and only vary…
- Last updated 6 years ago
- B&I, blues & improv, blues fingering, blues rhythm
What to do with student who has completed Level 18
What do you do once a student completes level 18? I have one who is closing in on that milestone and it’s both exciting and terrifying! We still have lots we can do in Jazz, Blues Improv, and Accompaniment, but what do you source for…
- Last updated 7 years ago
- accompaniment, beyond the curriculum, blues & improv, comp & improv, D18, development, Gordon Harvey, jazz, jazz clues, Laurie Richards, Level 18, outside music