playing-based
Competitions and Exams
Just wanted to share with you a happy Simply Music experience. I have been teaching SM for about 3 years now. This year I entered 2 of my students in the Toowoomba Eisteddfod. Unfortunately, the piano section has preset boundaries as to what can be…
- Last updated 3 years ago
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Playing-Based Benefits
What are some top reasons that you think playing based is a useful approach? One for me: It helps the student see the piece holistically – understanding through patterns the form of a piece. (The ‘puzzle pieces’ as it were.) My favorite is just that…
- Last updated 3 years ago
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Mapping Strategy
Could someone explain the “mapping” strategy? I’ve noticed it a few times in the TTM, but I’d like to make sure I understand it completely. Here is an official definition: Observing any section or piece of music as a series of shapes, and assembling those…
Generative vs. Receptive Learning
I’m writing a blog about the difference between generative and receptive learning. This is what I have so far on generative learning. Do you agree? How would you define receptive learning? “This is the difference between ‘generative’ and ‘receptive’ learning. Generative learning requires that a…
- Last updated 4 years ago
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Scale Journey 3s and 4s
I don’t understand the “scale journey on the keyboard.” I know a lot about scales and can play them all, but my understanding is this is playing the scales using 3 fingers of the LH and 4 of the RH starting in various positions on…
- Last updated 4 years ago
- composition, improvisation, key, key signature, naturally occuring 3s and 4s, NO 3 & 4, NO34, patterns, playing-based, playing-based tools, reading, scale, scale fingering, scale formula, scale journey, scale maps, scale theory, scales, teaching scale, tfmm, Time for More Music, value of TFMM
Outside YouTube Pieces
One of my new students (a 16 year old, very disciplined at practicing, and he and his Dad both love SM so far, he is on Jackson Blues) just told me today that he is also learning some extra songs (songs he likes and knows…
- Last updated 4 years ago
- base tools, developing generative skills, generative, generative learning, generative students, generative tools, importance of playlist, learning clues, learning tools, learning tools and strategies, managing playlist, managing the playlist, mastery of tools, outside materials, outside music, outside pieces, outside repertoire, PB, pieces outside the program, playing-based, playing-based strategies, playing-based tools, Playlist, playlist management, reference clues, self generating, self generative, self-generate, self-generation, songs outside the repertoire, students teaching, students teaching each other, teaching, teaching clues, teaching outside music, teaching students to coach, tools, tools and strategies, YouTube
Development Levels Required
Is it intended that we WILL DO the Development levels or are they just a source choice of reading material when the Foundation levels are finished? If students begin to source a variety of their own reading material and we are helping them with that,…
- Last updated 4 years ago
- additional reading material, applying PB strategies to music, books for reading music, developing reading, development, Development Levels, Development Program, Development songs, Gordon Harvey, hybrid approach to reading, importance of reading, other material sources, outside reading pieces, PB, playing-based, playing-based strategies, playing-based tools, playing-based while reading, RB, reading, reading-based, requirements, source from the page, source instructions from the page, using playing-based tools while reading
Sit By My Side Hands Together
My adult (late 50s) student loves the playing-based tools but told me today that for Sit By My Side (F5) he finds them hard to use (think about) when putting his hands together, though he uses them well for hands separate on that song. Besides…
- Last updated 4 years ago
- add-on, add-ons, adult students, applying PB strategies to music, audio, audio materials, audio recording, Audio recordings, audio SHMs, BH, both hands, hands together, HT, Laurie Richards, listening to audio recordings, listening to the audio recordings, music books, PB, playing along with audio, playing with audio tracks, playing-based, playing-based strategies, playing-based tools, practice, separate hands, SH, sheet music, Sit By My Side, Sit By My Side BH, trouble with hands together, using audio recordings, using audio tracks, using music book, using music books, using sheet music, using the audio recordings to learn songs
Readiness to Learn
Is there any such thing as readiness in the Simply Music process? I am teaching a very bright little girl who is 6, but she is struggling even with the five fingers over five notes after 6 lessons. She can play the right hand of…
- Last updated 4 years ago
- adapting for young students, BH, both hands, communication, control the events, controlling the events, CTE, dose, doses, getting student to slow down, hands together, HT, it takes as long as it takes, learning slowly, moving slowly, multiple thought processes, Ode to Joy, Ode to Joy BH, patience with slow learners, playing slowly, playing-based, practicing slowly, putting hands together in Ode to Joy, readiness, ready, separate hands, SH, single thought process, single thought processes, slow learner, slow pace, slow progress, slowing down, small doses, small hands, smaller dose, smaller doses, starting younger students, STP, struggle, struggling, teaching very young students, teaching young children, teaching young students, trouble with hands together, young children, young students, younger siblings
Chord Voicing
How would you answer this question from a parent? “Why does the way we learn 7th chords only have 3 notes? To make a F#m7, isn’t that an A chord?” I’m very comfortable with the practical application of the voicing idea between the notes over both…
- Last updated 4 years ago
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