deceptive cadence

I’ve got a question for you. During each lesson, I have my students do an improvisation or play their composition. I just received a short composition in which the piece doesn’t end on a tonic key. I texted her mom about that, and she said…

• Last updated 2 years ago
• chord, chord theory, chords, comp, comp & improv, comp and improv, complex chords, composing, composing with chords, composition, compositions, deceptive cadence, ending, ending chord, final chord, imperfect cadence, last chord, Neil Moore, scale theory, student composition, theory, tonic, writing compositions

I’m wondering if ‘Here To Stay’ from the Jazz program commences in the key of D minor and then modulates to A minor around the third line. I’ve had a student ask me why the g in the A11 chord is natural. Any thoughts? It…

• Last updated 4 years ago
• 2-5, 2-5 chord progression, 2-5-1, 2-5-1 chord progression, changing keys, common chord, deceptive cadence, harmony, Here to Stay, jazz, jazz chords, jazz clues, Joe Gilman, key, key change, key of the moment, key signature, leading tone, minor keys, modulation, Neil Moore, parent key, pivot chord, relative key, relative major, relative minor, tonality, tonic, tonicization, tonicize, tonicizing