Reading

I’m having my students compose and notate a piece. Of course notating rhythm is a challenge for some, but a wonderful way to have them ‘self generate’ as best they can. We do a ‘back in forth’ where I help them tweak it so it…

• Last updated 1 month ago
• C&I, comp, comp & improv, comp and improv, comp/improv, composing, composition, composition projects, compositions, notating compositions, notation, notation software, remembering compositions, student composition, transcribing composition, writing, writing compositions, writing rhythm, writing rhythms, written music, written rhythm

When Neil says, “. . . once a student has ventured far enough into the syllabus, we routinely begin dealing with the full array of pieces from any typical classical repertoire, Moonlight Sonata included”, does “far enough into the syllabus” mean once students are somewhat…

• Last updated 2 months ago
• additional reading material, Gordon Harvey, outside materials, outside music, outside pieces, outside reading pieces, outside repertoire, outside sheet music, pace of reading program, pieces outside the program, playlist for reading, reading, reading concerns, reading expectations, reading outside Simply Music, reading pieces, reading process, reading program, reading readiness, selecting reading materials, songs outside the repertoire, teaching outside music, when to introduce reading

I have a class of 5 middle-schoolers who love music, and are trying to do every musical activity available to them. They are in Level 3. A couple of them are in the school band (actually an orchestra), and a couple of them are joining…

• Last updated 2 months ago
• expectation, expectations, high school, high school jazz band, managing expectations, middle school, outside materials, outside music, outside pieces, outside reading pieces, outside sheet music, parent expectation, parental expectations, pieces outside the program, playing-based, playing-based arrangements, playing-based strategies, playing-based tools, public school, public schools, reading expectations, reading outside Simply Music, school, school band, school jazz band, school music, school orchestra, songs outside the repertoire, talking about expectations, teaching outside music

I have a very motivated adult student who has nearly finished Time for More Music. She is able to figure out what most any piece of music says given enough time. She has a good grasp of intervals and knows what many of the notes…

• Last updated 2 months ago
• accompaniment, adding melody notes, additional reading material, arrangement, arranging, chord, chord inversions, chords, developing reading, hybrid approach to reading, hymn book, hymnal, hymns, improving sight reading, inversions, learning the melody, melody, melody for accompaniments, outside reading pieces, passing notes, passing tones, reading concerns, reading difficulty, reading expectations, reading fluently, reading goal, reading music, reading outside Simply Music, reading pieces, reading problems, reading strategies, sight reading, student not really reading, Supplemental reading projects Reading pieces you’ve used, teaching melody, worship music

What is the best way to handle when students request or bring in other music? I think this might have been a topic a while back! A girl brought in a pop song the other day and asked if she could learn it! I’ve never…

• Last updated 3 months ago
• accompaniment, fragmenting, fragments, Gordon Harvey, outside accompanimnent pieces, outside materials, outside music, outside pieces, outside reading pieces, outside repertoire, outside sheet music, pieces outside the program, playing-based, playing-based strategies, playing-based tools, reading outside Simply Music, rote, songs outside the repertoire, teaching outside music

Here’s another getting ready for Reading Rhythm question: Has anyone used hand drums, rhythm sticks, etc. in shared lessons when working on RR? Do you find them helpful and fun, or distracting? Where do you find a good value on quality rhythm instruments? What else…

• Last updated 3 months ago
• clapping, clapping the beat, drums, dry erase, dry erase board, feet, hand drum, hand drums, helping students feel rhythm, improving rhythm skills, Lynn Kleiner, Lynn Kleiner Drums, Lynn Kleiner Drums by Remo, marching sdq, masters of the rhythm, mor, MORs, pat hands, patting hands, playing rhythm tracks, processing rhythm, processing rhythms, reading rhythm, reads rhythm, rhythm, rhythm audio, rhythm instruments, rhythm sticks, rhythm streams, rhythm tracks, RR, SDQ, tap feet, tapping, tapping feet, tapping sdq, teaching rhythm, transcribing, transcribing Reading Rhythm - transcribing, transcribing rhythm, writing rhythm, writing rhythms, written rhythm

I had a question today from a student beginning “Reading Notes”. He was working with the playlist as intervals. He wanted to know what you would call a sharped or flattened note. I told him that it would be the same interval as the natural…

• Last updated 3 months ago
• billy at the footy, flats, Gordon Harvey, half steps, intervallic, intervallic reading, intervals, major 7, major 7ths, major intervals, major vs. minor, major vs. minor intervals, minor intervals, Playlist as Intervals, question, Questioners, second, sharps, sharps and flats, teaching half and whole steps, teaching half steps, whole steps

Advanced Teachers: Talk to me about how to approach teaching compound time is this in relation to any particular piece? For example Greensleeves is in 6/8 and High Five is in 12/8. I would keep the explanation simple to students, but it’s basically dividing the…

• Last updated 4 months ago
• ‘57 12/8 Blues, 57 12/8 Blues, complex rhythm, compound time, counting rhythms, difficult rhythm, Gordon Harvey, Greensleeves, High Five, polyrhythm, processing rhythm, processing rhythms, reading, reading music, reading rhythm, reading strategies, rhythm, rhythm diagram, rhythm diagrams, rhythm difficulty, rhythm tracks, teaching rhythm

Hi all, here is a very important message. As more and more pieces come into Public Domain, we see an emerging number of new arrangements of those pieces being made available. I want to make very clear what Simply Music’s position is regarding Copyright as…

• Last updated 5 months ago
• arrangement, arranging, Chanukah, Christmas, Christmas accompaniment, Christmas Carols, Christmas songs, copyright, copyright infringement, copyright laws, copyrighted lyrics, educational purposes, educational use, fair use, Hanukkah, holiday, holiday songs, holidays, Neil Moore, Neil's Responses (YouTube Videos), permission, permission to print lyrics, public domain music, public domain songs

I just had an aha moment. I don’t see any 16th notes in any of the TFMM songs. Seems surprising since we start with them in RR. Just wondering if there was a reason for this? I would think to keep it more developmentally appropriate…

• Last updated 6 months ago
• 16th notes, Neil Moore, Neil's Responses (YouTube Videos), sixteenth notes, tfmm, Time for More Music