student composition

I’ve got a question for you. During each lesson, I have my students do an improvisation or play their composition. I just received a short composition in which the piece doesn’t end on a tonic key. I texted her mom about that, and she said…

• Last updated 7 months ago
• chord, chord theory, chords, comp, comp & improv, comp and improv, complex chords, composing, composing with chords, composition, compositions, deceptive cadence, ending, ending chord, final chord, imperfect cadence, last chord, Neil Moore, scale theory, student composition, theory, tonic, writing compositions

I’m having my students compose and notate a piece. Of course notating rhythm is a challenge for some, but a wonderful way to have them ‘self generate’ as best they can. We do a ‘back in forth’ where I help them tweak it so it…

• Last updated 4 years ago
• C&I, comp, comp & improv, comp and improv, comp/improv, composing, composition, composition projects, compositions, notating compositions, notation, notation software, remembering compositions, student composition, transcribing composition, writing, writing compositions, writing rhythm, writing rhythms, written music, written rhythm

Below is an email from a parent. Any advice on strategies I could suggest? This student has been with me for about 6 months. He is in first grade and is moving through Foundation pieces at a just-under-average pace. I have noticed memory is an…

• Last updated 3 years ago
• #ttci, 3:1 2:1 1:1 ratio learning paces, 50 lessons per year, a year of lessons, audio recording, Audio recordings, benefits of improv, breadth vs depth, C&I, comp, comp & improv, comp and improv, comp/improv, composing, composition, composition skills, compositions, creative projects, creativity, depth vs. breadth in knowledge, developing creativity, diagram, diagrams, improv, improv at lessons, improv for beginners, improving teaching, improvisation, improvising, Laurie Richards, learning pace, lessons per year, Neil Moore, Neil's Responses (YouTube Videos), normal progress, pace, pace of learning, pace of teaching, progress, rate of learning, rate of progress, record students, recording, recording comp and improv, recording pieces, recording students, remember, remembering, remembering compositions, remembering patterns, resistance to c&i, resistant students, simplified melody, simplify this, slow pace, slow progress, speed of learning, speed of progress, student composition, student processing and resisting approach, student progress, student recordings, student reluctant to improv, students progressing differently, students speed of progress, taking videos, toolkit, Tune Toolkit, Tune Toolkit Teaching Techniques, video, video recording students, writing compositions

When you teach projects from Tune Toolkit, are you assigning them as improv projects or composition projects? Do you have the students come back and play something or report on what they did? How do you keep accountability that they are trying the projects? In…

• Last updated 5 years ago
• benefits of improv, comp & improv, comp and improv, comp/improv, composing, composition, composition skills, compositions, ideas for improvisation, improv, improv at lessons, improv for beginners, improv ideas, improvisation, improvisation ideas, improvising, student composition, student reluctant to improv, toolkit, tracking Tune Toolkit projects, Tune Toolkit, Tune Toolkit Teaching Techniques, writing compositions

One of my farthest-along students is pushing back on writing lyrics because she doesn’t want to sing. I assigned composition two weeks in a row–make up a song. Then I assigned to make up words for the song. Mom texted me today (their lesson is…

• Last updated 4 years ago
• 3 legged stool, alignment with coaches, changing lyrics, claiming territory, coach, coach responsibility, coaches, communication, composing, composition, composition skills, compositions, creating lyrics, emotion, emotional, emotional limitations, emotions, integrity, Laurie Richards, lesson requirements, limitations, lyric games, lyrics, making lyrics, making up lyrics, managing coaches, managing singing, reclaiming territory, relationship with coach, request, request vs requirement, requirement, requirement based studio, requirement versus request, requirement-based, requirements, requirements in lessons, resistance to c&i, resistant students, selective coaching, shy, shy student, singing, singing along, singing in class, stool analogy, student composition, student processing and resisting approach, teaching with integrity, territory, three legged stool, upset, writing compositions, writing lyrics

Mark S. Meritt, any suggestions for starting Tune Toolkit with a student in level 7? Is there a way to accelerate through each project without impeding the layering process? I’ve been through the program a few times with other students but this particular student is…

• Last updated 5 years ago
• advanced players, advanced student, advanced students, comp & improv, comp and improv, comp/improv, composing, composition, composition skills, improv, improv at lessons, improv ideas, improvisation, improvising, student composition, tracking Tune Toolkit projects, Tune Toolkit, Tune Toolkit Teaching Techniques, writing compositions

Is the idea with the 3-note comp/improv exercise that the students are to play three consecutive white notes in the RH or can they be any three notes, black or white? I get them to pick any 3 white notes without telling them about the…

• Last updated 5 years ago
• 3-note improv, benefits of improv, comp & improv, comp and improv, comp/improv, composing, composition, CP, cross pollinating, cross pollination, cross-pollinate, ear training, home base, improv, improv at lessons, improv for beginners, improv ideas, improvisation, improvisation ideas, improvising, Laurie Richards, major vs. minor, student composition, three-note improv, writing compositions

Would it work, when there is a month-long break from teaching, to suggest that dedicated students (at the appropriate level) work through Tune Toolkit and The Chord Drill on their own? I have the vaguest recollection from the training on those that “students can work…

• Last updated 5 years ago
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At Neil’s suggestion, I’m sharing a wonderful experience I had last week. I had assigned a 14-year-old boy to compose a song using the chord progressions from Honey Dew in the pattern from Dreams, Arr. 3. I told him that lots of repetition of simply…

• Last updated 10 years ago
• student composition, success