Curriculum
Shortening Rhythmic Phrases
I find that my students who don’t like to sing often shorten the ends of phrases in Dreams, Dog, Sleeping, Fur Elise, etc. so they have to work at unlearning, then learning the correct rhythm by singing with me, reviewing the audio, playing with the…
- Last updated 4 weeks ago
- active listening, audio, audio recording, Audio recordings, complex rhythm, counting, counting as lyric, difficult rhythm, Dog, Dreams, Dreams Come True, external speaker, external speakers, feeling rhythm, Fur Elise, Fur Elise tempo, getting an even rhythm, helping students feel rhythm, how to play, improving rhythm skills, isolating rhythm, listen, listening, listening to audio recordings, listening to the audio recordings, managing singing, natural rhythm, play SH along with audio, play SH with audio, playing along with audio, playing with audio tracks, practice SH along with audio, practice SH with audio, processing rhythm, processing rhythms, rhythm, rhythm difficulty, rhythmically challenged, singing, singing along, singing in class, singing off key, singing off pitch, singing while playing, singing while playing struggle, single thought process, single thought processes, sleeping, speaking instructions out loud, STP, student lacks rhythm, teaching rhythm, using audio recordings, using audio tracks, using the audio recordings to learn songs, using the audio recordings to move ahead, voice, what to play
Transcribing Foundation Pieces
Late in TFMM, I’ve begun assigning my students to write a few bars from Foundation pieces they’ve learned long ago. All kinds of interesting issues have been coming up – how to add articulation, how to figure out the time signature, stem directions, etc. I…
- Last updated 2 months ago
- accidentals, developing reading, different reading projects, enharmonic, flats, key signature, Laurie Richards, reading, sharps, sharps and flats, tfmm, Time for More Music, transcribing, transcribing composition, transcription, writing, writing intervals, writing notes
Greensleeves Project
Here’s a project I’ve done which incorporates different strategies and programs, step by step (one of my favorite things to do): 1. Preparatory Learning: Teach the 4 LH positions of Greensleeves (before we get to Greensleeves). That’s the whole assignment. 2. Comp & Improv: Once…
- Last updated 2 months ago
- arrangement, arranging, C & I, comp & improv, comp and improv, comp/improv, Greensleeves, ideas for improvisation, improv, improv ideas, improvisation, improvisation ideas, improvising, Laurie Richards, preparatory learning
Hymns Arranged for SATB Singing
I have several students who are reading music and want to learn to play hymns from their church’s hymnal that is arranged for SATB singing (see photo for example). I’ve been reading a few related conversations in Simpedia about the process of teaching hymns (most…
- Last updated 6 months ago
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Preparing to Play at Faster Speeds
HI everybody – any tips for growing skills to line up fingers accurately to play fast passages like the beginning and end of Ballade? Of course – play slowly and gradually increase speed. That alone doesn’t seem adequate. I feel like all the things I…
- Last updated 10 months ago
- audio, audio materials, audio recording, Audio recordings, audio SHMs, Ballade, control the events, controlling the events, CTE, drills, exercises, external speaker, external speakers, fast playing, finger exercises, getting student to slow down, importance of playlist, keeping playlist alive, keeping playlists, keeping the playlist alive, learning slowly, Neil Moore, Neil's Responses (YouTube Videos), playing along with audio, playing fast vs slow, playing slowly, playing speed, playing with audio tracks, Playlist, practicing slowly, single thought process, single thought processes, slow practice, slow-steady-musical-even, slowing down, speaking instructions out loud, SSME, STP
Alma Mater Adjust Fingering
I have an elderly student who can’t bend fingers 3 and 4 in his RH. We are adjusting songs accordingly. For Alma Mater Blues 3rd Section CAGE chord I, what would you suggest? C G E – fingers 5, 2, 1 – 100% C A…
- Last updated 11 months ago
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Composition Ending Chord
I’ve got a question for you. During each lesson, I have my students do an improvisation or play their composition. I just received a short composition in which the piece doesn’t end on a tonic key. I texted her mom about that, and she said…
- Last updated 10 months ago
- chord, chord theory, chords, comp, comp & improv, comp and improv, complex chords, composing, composing with chords, composition, compositions, deceptive cadence, ending, ending chord, final chord, imperfect cadence, last chord, Neil Moore, scale theory, student composition, theory, tonic, writing compositions
I-IV-V and Ratios in Accompaniment
I’ve been working on I IV and V on accompaniment 1 programme with some students and was asked these questions which I couldn’t quite answer with confidence. Care to share your experience and thoughts please? So does the I IV and V only work for…
- Last updated 1 year ago
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Dreams Arrangements Chord for Small Hands
If a younger student can’t yet manage the second chord of Dreams Arrangement 1, is there a preference in a three-note version? Fingers 123 (shifting 3) throughout or 135 (shifting 3 and 5) with the 9th omitted for now? I think they both work and…
- Last updated 1 year ago
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Looking at Hands While Playing
A new adult student with a small amount of previous experience told me that it’s hard for her to watch her hands because she took a beginning piano class in college with a teacher who insisted that students never look at their hands and would…
- Last updated 2 years ago
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