Playing-Based Methodology
“I Found Your Keys” Book
I just reread Laurie Richards’ book yesterday ‘I Found Your Keys’ on a beautiful Sunday afternoon. It is so packed with good information. Every now and then we need a 30,000 ft view of what it is that we are all apart of and why…
- Last updated 7 months ago
- books, I Found Your Keys, Laurie Richards, Neil Moore
Neil’s TEDxTalk
Hi all, I wanted to let you know that my TEDxTalk has been approved for public release, and is now Live on YouTube. Over the years, many people have said to me that I should do a TEDTalk about Simply Music. And whilst promoting oneself…
- Last updated 8 months ago
- applying PB strategies to music, benefits, benefits of piano lessons, brain health, brains and patterns, communicating benefits, comparing traditional to Simply Music, competing methods, creativity, critical neurological nutrition, developing creativity, developing musicality, expression, FIS, free information session, future of simply music, How music can future proof your brain, info session, information session, method, method comparisons, methodology, methods, music making species, musical expression, musicality, musicianship, natural musicality, natural musicianship, Neil Moore, Neil's Responses (YouTube Videos), neurological nutrition, other methods, PB, playing-based, playing-based strategies, playing-based tools, profoundly musical, self expression, simply music, Simply Music Philosophy, Simply Music's value, talking about Simply Music, TED Talk, TEDTalk, TEDx Talk, TEDxTalk, traditional vs. Simply Music, trust the method, trusting the method
Teaching Blues & Accompaniment to a Reader
I have a potential adult student with a traditional/classical piano background (grade 7 RCM) interested in broadening her music education. She would want to learn the blues and accompaniment streams. Is there a way to use the simply music materials to someone who already knows…
- Last updated 3 years ago
- classically trained, experienced players, Neil's Responses (YouTube Videos), previous experience, prior experience, prior reading experience, student background, student with previous experience, students that already read music, students who already read, students with experience, students with previous experience, students with prior experience, traditional background, traditional experience, traditional student, traditional students, traditional students to SM, traditional to Simply Music, traditional vs. Simply Music, traditionally trained, transitioning traditional students
Exercise to Learn about Learning
Years ago I created an exercise to help students really learn, experientially, the value of Controlling the Events. Something that could, in a single exercise, give real felt clarity about the different results that come from CTE vs. not. I’ve done it for years in…
- Last updated 3 years ago
- conscious learning, control the events, controlling the events, CTE, fast playing, getting student to slow down, how quickly students learn, how to practice, learning, learning a new way of learning, learning a way of learning, learning pace, learning rate, learning slowly, learning strategies, learning tools, learning tools and strategies, mindfulness, pace, pace of learning, playing fast vs slow, playing slowly, playing speed, playing too fast, practice, practice guidelines, practice habits, practicing, practicing slowly, rate of learning, relearning, slow-steady-musical-even, slowing down, speed of learning, speed of progress, students speed of progress, teaching how to practice, working with parents on how to practice
Transitioning a Traditional Studio
A local traditional teacher is thinking of transitioning her current students to Simply Music. I found one (very helpful) entry in the FAQs library and would like to get some more info from all of you. What tips do you have for her? What can…
- Last updated 3 years ago
- starting SM with traditional students, traditional, traditional and Simply Music enrollment, traditional background, traditional experience, traditional student, traditional students, traditional students to SM, traditional studio, traditional teacher, traditional teachers, traditional to Simply Music, traditionally trained, transitioning into SM, transitioning students, transitioning to SM, transitioning traditional students
Simply Music for Guitar
I recently met a local guitar instructor who is considering becoming a SM teacher but also apply the SM ideas/tools as much as possible to guitar. To what extent have any of you been able to do this with guitar? Obviously many principles like CTE…
Patterns in the Reference Book
Yesterday a coach asked me a question I really did not know the answer to fully. I promised I’d ask the ECL. Here goes: How important/crucial is it for students to fully understand the written patterns in the reference book and be able to explain…
Preparatory Learning
Tip for ya. I remember several teachers commenting a while back on how challenging it was to teach Sonata in C (Level 4) online. I have found that ‘preparatory learning’ has made this piece SO much easier to learn. Beginning a song or two before…
- Last updated 3 years ago
- broken chords, chord, chord strategies, chords, concertina, D-Part, Laurie Richards, learning chords, preparatory learning, seeing chords in songs, seeing songs chordally, Sonata in C
Slowing Down Students
What creative ways do you use to get students to slow down? I don’t know any creative ways, I just resort to tapping a slow beat, and getting them to play along to the audio slow version. I wonder if it is a stage they…
- Last updated 3 years ago
- audio, control the events, controlling the events, CTE, events, getting student to slow down, Gordon Harvey, learning slowly, mindfulness, piano event, piano events, play along, playing along with audio, playing fast vs slow, playing slowly, playing speed, playing too fast, playing with audio tracks, practicing slowly, slow-steady-musical-even, slowing down, speed of learning, SSME, using audio recordings, using audio tracks, using the audio recordings to learn songs
Judging a ‘Talent’ Quest
I have been a judge in the St Luke’s Talent Quest for the last three years. The last two years I was judge for the finalists,but today I was judge for the finalist auditions. Well, the vocal talent is unbelievable and most were children. But…
- Last updated 3 years ago
- competitions, judging, Talent Quest