Neil Moore

(Over time, different teachers have faced situations in which a student finds it challenging to process the Alma Mater Blues rhythm. Here are Neil’s thoughts on how to handle such situations, video posted September 28, 2022. Below his video tip are two representative posts/questions within…

• Last updated 2 months ago
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I’m generally very rigorous about following Neil’s instructions, since time and again I’ve come to understand why he does things the way he does. I’ve recently had a situation where I felt I had a good reason to do something a little differently from what…

• Last updated 4 months ago
• changing chapter order, context, control the events, controlling the events, CP, cross pollination, cross-pollinate, CTE, dosage, dose, doses, down-level, fragmenting, Fragmenting-Layering, fragments, Fur Elise, Fur Elise A Section, Fur Elise complexity, Fur Elise left hand, Fur Elise LH, Fur Elise order, hybrid, Laurie Richards, microdose, Neil Moore, out of context, re-teaching pieces, re-teaching songs, re-working pieces, re-working songs, single thought process, single thought processes, small doses, smaller dose, smaller doses, STP, technique for Fur Elise, up-level

I’m wondering if ‘Here To Stay’ from the Jazz program commences in the key of D minor and then modulates to A minor around the third line. I’ve had a student ask me why the g in the A11 chord is natural. Any thoughts? It…

• Last updated 8 months ago
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The below question was asked in response to a video Neil posted to help answer a question about what key Dark Blue is in, covered in a separate Simpedia post: https://simpedia.info/what-key-is-dark-blue-in/ Neil Moore hearing Joe’s playing also made me realize you don’t put tempo markings…

• Last updated 8 months ago
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What key is Dark Blue in? Look at the music book for FL4. 3 flats. Also, the first and last bass note is C hinting at the tonal center. Ian Yes. And yes. And yet: it doesn’t really ever sound like C is a definitive…

• Last updated 8 months ago
• changing keys, chord inversions, chord voicings, chromatic, chromaticism, Dark Blue, harmony, inversions, jazz, jazz chords, Joe Gilman, key, key change, key of the moment, key signature, minor keys, modal, modes, modulation, Neil Moore, relative key, split chords, tonality, tonic, tonicization, tonicize, tonicizing, voicing, voicing chords, voicing jazz chords

I’m curious about the psychology behind the brain’s ability to increase the speed of muscle memory (play a song faster), but its struggle to decrease the speed of the same task. Anyone? Not an expert neurological answer, but: Speed comes with familiarity and comfort. Slowness…

• Last updated 9 months ago
• adding expression, automatic, automaticity, competence, control the events, controlling the events, creating awareness, CTE, deliberate practice, expression, expressive playing, fast playing, flexibility, getting student to slow down, knowing, learning slowly, memory muscle, mindfulness, muscle memory, musical expression, Neil Moore, neurology, playing fast vs slow, playing slowly, playing speed, playing too fast, playing with expression, practicing slowly, psychology, self expression, slow practice, slow-steady-musical-even, slowing down, speed of learning, tempo, thoughtlessness

Hi everyone, I didn’t sleep well last night and feel like I’m at a crossroads here. I hope it’s ok to vent some frustrations and maybe get some additional perspective from all you teachers… It seems like my studio has dissolved to a lot of…

• Last updated 9 months ago
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I have a traditional student who is at the end of her book and I gave her the choice to go the the next book or Simply Music. The mom replied that it was up to me. I am not sure how to do this…

• Last updated 9 months ago
• Neil Moore, Neil's Responses (YouTube Videos), SM transfer students, SM vs traditional, starting SM with traditional students, traditional and Simply Music enrollment, traditional background, traditional experience, traditional lesson prices, traditional student, traditional students, traditional students to SM, traditional studio, traditional to Simply Music, traditional vs. Simply Music, traditionally trained, transfer, transfer students, transferring simply music students, transitioning into SM, transitioning students, transitioning to SM, transitioning traditional students

I have a student that is just starting with a few private lessons to catch her up to the group I want to add her to. My dilemma is that there is a huge language barrier. She is super smart and quick, has taken 2…

• Last updated 1 year ago
• adding students to a group, catching up, catching up new students, combining groups, different pacing in group, EFL, English as a foreign language, English as a second language, ESL, expanding shared lesson size, foreign language, group, group lesson, group lessons, group obstacles, group vs private, groups, language, language barrier, merging private students with groups, Neil Moore, private to group, private to shared, private to shared lessons, private vs group, private vs shared, private vs shared lessons, second language, shared lesson, shared lessons, shared vs private, students in groups with different abilities, students progressing differently, transitioning private students to group

Just wanted to share with you a happy Simply Music experience. I have been teaching SM for about 3 years now. This year I entered 2 of my students in the Toowoomba Eisteddfod. Unfortunately, the piano section has preset boundaries as to what can be…

• Last updated 2 years ago
• AMEB, Australian Music Examinations Board, Ballade, competitions, concerts, eisteddfods, exams, Fur Elise, Gordon Harvey, medley, Michigan School Band and Orchestra Association, Michigan School Vocal Music Association, Minuet in G, MSBOA, MSVMA, Neil Moore, Ode to Joy, playing-based