identifying chords
Teaching Diminished 7th Chords
Is there an easy way to teach diminished 7th chords? Is it a 4-note chord? I’m thinking in terms of the way we teach chords with half and whole steps related to the triangle. Good question. The accompaniment program chord diagrams are intended to teach…
- Last updated 3 years ago
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Diminished 7th Chord
I was helping a student with a chord in her accompaniment project today that was F#dim7. The way we figured it out it looks like an FM7. Is there a reason it would be written specifically as a dim chord? The previous chord was F…
- Last updated 4 years ago
- 7th chords, bridging chord, building chords, chord, chord alterations, chord beyond Accompaniment 1, Chord Chart, chord charts, chord diagrams, chord strategies, chord structure, chord theory, chord voicings, chords, complex chords, dim7, diminished 7, diminished 7th, diminished chords, extended chords, forming chords, identifying chords, jazz chords, learning chords, playing chords, transition chord, voicing chords, voicing jazz chords
Dark Blue Final Chord
I finally figured out another easy way to remember the final RH chord of the tailpiece of Dark Blue – it is just a rearranged version of the second last RH chord. (the D moved down an octave and then of course the whole chord…
- Last updated 4 years ago
- 6/9 chord, chord fingering, chord inversions, chord shapes, chord structure, chord theory, chord voicings, chords, Dark Blue, fingering chords, forming chords, identifying chords, jazz chords, learning chords, minor chords, playing chords, voicing chords, voicing jazz chords
Major 7th and Dominant 7th
I had a student with extensive prior experience ask the difference between a maj 7th and 7th today so I hope this question makes sense. Is Bb the dominant 7th in the key of F? Cmaj7 is C, E, G, B. C7 is C, E,…
- Last updated 4 years ago
- 7th chords, accomp, Accompaniment, accompaniment 1, accompaniment program, building chords, chord theory, chords, discovering chords, dominant 7, dominant 7th, extended chords, forming chords, identifying chords, inheriting chords, key, learning chords, major 7, major 7ths, major scale, playing chords, root chords, scale, scale theory, scales, theory, voicing chords
Dark Blue Tailpiece Chords
Can anyone please tell me: what are the chords in the tailpiece of Dark Blue? Pretty sure those chords are Db6/9, Gb13, Cm6/9. So, what Maureen said – 9, 11, 13th chords must include the 7th. With the 6 and 9 added but no 7th,…
- Last updated 4 years ago
- 13th chords, 6/9 chord, 7th chords, chord fingering, chord inversions, chord progressions, chord shapes, chord structure, chord theory, chord voicings, chords, Dark Blue, extended chords, fingering chords, forming chords, identifying chords, jazz chords, Laurie Richards, learning chords, minor chords, playing chords, voicing chords, voicing jazz chords
Chord Voicing
How would you answer this question from a parent? “Why does the way we learn 7th chords only have 3 notes? To make a F#m7, isn’t that an A chord?” I’m very comfortable with the practical application of the voicing idea between the notes over both…
- Last updated 4 years ago
- 7th chords, accomp, Accompaniment, accompaniment 1, accompaniment program, chord diagrams, chord inversions, chord strategies, chord structure, chord theory, chord voicings, chords, defending accompaniment, extended chords, forming chords, identifying chords, inheriting chords, Laurie Richards, learning chords, playing chords, playing-based, playing-based strategies, playing-based tools, root chords, shortcuts, theory, trick, tricks, voicing chords
Flats vs minors
I’ve noticed at certain points in the curriculum students struggle, slow down, or “hit walls”. A lot might have to do with difficulty fluctuating throughout. I haven’t started Level 4 yet, but this probably continues in later levels. With average beginners, I think it really…
- Last updated 10 years ago
- black note struggles, buggzart cards, flats, Gordon Harvey, identifying chords, Laurie Richards, minor chords