chord inversions

What key is Dark Blue in? Look at the music book for FL4. 3 flats. Also, the first and last bass note is C hinting at the tonal center. Ian Yes. And yes. And yet: it doesn’t really ever sound like C is a definitive…

• Last updated 2 years ago
• changing keys, chord inversions, chord voicings, chromatic, chromaticism, Dark Blue, harmony, inversions, jazz, jazz chords, Joe Gilman, key, key change, key of the moment, key signature, minor keys, modal, modes, modulation, Neil Moore, relative key, split chords, tonality, tonic, tonicization, tonicize, tonicizing, voicing, voicing chords, voicing jazz chords

I have a very motivated adult student who has nearly finished Time for More Music. She is able to figure out what most any piece of music says given enough time. She has a good grasp of intervals and knows what many of the notes…

• Last updated 3 years ago
• accompaniment, adding melody notes, additional reading material, arrangement, arranging, chord, chord inversions, chords, developing reading, hybrid approach to reading, hymn book, hymnal, hymns, improving sight reading, inversions, learning the melody, melody, melody for accompaniments, outside reading pieces, passing notes, passing tones, reading concerns, reading difficulty, reading expectations, reading fluently, reading goal, reading music, reading outside Simply Music, reading pieces, reading problems, reading strategies, sight reading, student not really reading, Supplemental reading projects Reading pieces you’ve used, teaching melody, worship music

I need to start jazz clues soon with a number of students. Help me understand what we mean by “jazz” and how it differs from the accompaniment things (playing all types of chords, variations) we’ve already been doing. I believe Neil talks about perceptions of…

• Last updated 4 years ago
• Accompaniment‏, band, bands, chord, chord beyond Accompaniment 1, chord inversions, chord voicings, chords, comp, comping, complex chords, ensemble, ensemble playing, Gordon Harvey, high school jazz band, jazz, Jazz 1, jazz band, jazz bands, jazz chords, jazz clue 1, jazz clue 2, Jazz Clue 3, Jazz Clue 4, jazz clues, jazz melody, jazz program, jazz program questions, jazz rhythm, Jazz rhythms, jazz solo arrangements, Laurie Richards, lead sheets, touch of jazz, voicing chords, voicing jazz chords

I finally figured out another easy way to remember the final RH chord of the tailpiece of Dark Blue – it is just a rearranged version of the second last RH chord. (the D moved down an octave and then of course the whole chord…

• Last updated 4 years ago
• 6/9 chord, chord fingering, chord inversions, chord shapes, chord structure, chord theory, chord voicings, chords, Dark Blue, fingering chords, forming chords, identifying chords, jazz chords, learning chords, minor chords, playing chords, voicing chords, voicing jazz chords

Elizabeth Gaikwad, I have a question about the Chord Drill inversions. I understand that students need to have all Accomp 1 chords solid and that is the prerequisite. What I’m wondering, is how the inversions appear/are taught in Accomp 2? Will it be beneficial to…

• Last updated 4 years ago
• 2nd inversions, acc 2, Acc2, accomp 2, accompaniment, Accompaniment‏, chord, chord diagrams, Chord Drill, chord games, chord inversions, chord strategies, chords, Elizabeth Gaikwad, inheriting chords, inversions, inverting, learning chord shapes, learning chords, memorizing chord shapes, playing chords, practice

Can anyone please tell me: what are the chords in the tailpiece of Dark Blue? Pretty sure those chords are Db6/9, Gb13, Cm6/9. So, what Maureen said – 9, 11, 13th chords must include the 7th. With the 6 and 9 added but no 7th,…

• Last updated 4 years ago
• 13th chords, 6/9 chord, 7th chords, chord fingering, chord inversions, chord progressions, chord shapes, chord structure, chord theory, chord voicings, chords, Dark Blue, extended chords, fingering chords, forming chords, identifying chords, jazz chords, Laurie Richards, learning chords, minor chords, playing chords, voicing chords, voicing jazz chords

How would you answer this question from a parent? “Why does the way we learn 7th chords only have 3 notes? To make a F#m7, isn’t that an A chord?” I’m very comfortable with the practical application of the voicing idea between the notes over both…

• Last updated 4 years ago
• 7th chords, accomp, Accompaniment‏, accompaniment 1, accompaniment program, chord diagrams, chord inversions, chord strategies, chord structure, chord theory, chord voicings, chords, defending accompaniment, extended chords, forming chords, identifying chords, inheriting chords, Laurie Richards, learning chords, playing chords, playing-based, playing-based strategies, playing-based tools, root chords, shortcuts, theory, trick, tricks, voicing chords

I really like the Chord Drill program! One question, though: when the add9 chord is inverted, wouldn’t the 9th be on the bottom? Is that not a particularly desirable voicing, because you jump to the 3rd of the chord? Is this because the 6th chords…

• Last updated 6 years ago
• +9 chords, add9 chords, Chord Drill, chord inversions, inversions, voicing chords

The variations in Songs for Christmas use inversions that my Level 4 students have not yet learned. However, they’re beyond the basic C F & G chords of the simple versions. Should I teach the variations using root position chords, or find a way to…

• Last updated 6 years ago
• Accompaniment‏, accompaniment variations, chord inversions, chords, inversions, Songs for Christmas, transposing

I’m still a relative newbie, trying to wrap my head around fitting all the pieces together. Can someone further down the path give some insight on the following please? I’ve done the Composition and Improv as well as Accompaniment training (and Supplemental Programs for these),…

• Last updated 7 years ago
• acc 2, Acc2, Accompaniment‏, chord inversions, curriculum overview, Laurie Richards, pacing, scale, tfmm, Time for More Music