7th chords

Looking for advice from the music theory nerds in our community. I’d like to incorporate more theory for some of my teens and students in higher levels. What do you use? Books? Online tools? This is for students in levels 7 and up, who are…

• Last updated 3 years ago
• 2-5-1, 2-5-1 chord progression, 7th chords, alternative perspective of scale, chord progression, chord progressions, chord theory, circle of 5ths, circle of fifths, dominant 7, dominant 7th, dominant 7ths, ear training, integrated theory, intervals, jazz chords, key chords, major 7, major 7th, major 7ths, minor 7, minor 7th, minor 7ths, naturally occuring 3s and 4s, naturally occurring chords, naturally occurring notes, Neil's Responses (YouTube Videos), NO 3 & 4, NO34, PB, playing-based, relative key, relative major, relative minor, relevant, role of scale, root chords, root position, scale, scale formula, scale theory, scale tone chords, scales, theory, theory workshop, transcribing, transcribing composition

Is there an easy way to teach diminished 7th chords? Is it a 4-note chord? I’m thinking in terms of the way we teach chords with half and whole steps related to the triangle. Good question. The accompaniment program chord diagrams are intended to teach…

• Last updated 4 years ago
• 7th chords, aug, augmented, augmented chords, bridging chord, building chords, chord, chord alterations, chord beyond Accompaniment 1, Chord Chart, chord charts, chord diagrams, chord strategies, chord structure, chord theory, chord voicings, chords, complex chords, dim7, diminished 7, diminished 7th, diminished chords, extended chords, forming chords, Gordon Harvey, half steps, identifying chords, inheriting, inheriting chords, jazz chords, jazz clue 1, jazz clue 2, jazz clues, learning chords, playing chords, split chords, transition chord, triads, voicing chords, voicing jazz chords

I was helping a student with a chord in her accompaniment project today that was F#dim7. The way we figured it out it looks like an FM7. Is there a reason it would be written specifically as a dim chord? The previous chord was F…

• Last updated 4 years ago
• 7th chords, bridging chord, building chords, chord, chord alterations, chord beyond Accompaniment 1, Chord Chart, chord charts, chord diagrams, chord strategies, chord structure, chord theory, chord voicings, chords, complex chords, dim7, diminished 7, diminished 7th, diminished chords, extended chords, forming chords, identifying chords, jazz chords, learning chords, playing chords, transition chord, voicing chords, voicing jazz chords

I had a student with extensive prior experience ask the difference between a maj 7th and 7th today so I hope this question makes sense. Is Bb the dominant 7th in the key of F? Cmaj7 is C, E, G, B. C7 is C, E,…

• Last updated 5 years ago
• 7th chords, accomp, Accompaniment‏, accompaniment 1, accompaniment program, building chords, chord theory, chords, discovering chords, dominant 7, dominant 7th, extended chords, forming chords, identifying chords, inheriting chords, key, learning chords, major 7, major 7ths, major scale, playing chords, root chords, scale, scale theory, scales, theory, voicing chords

Can anyone please tell me: what are the chords in the tailpiece of Dark Blue? Pretty sure those chords are Db6/9, Gb13, Cm6/9. So, what Maureen said – 9, 11, 13th chords must include the 7th. With the 6 and 9 added but no 7th,…

• Last updated 5 years ago
• 13th chords, 6/9 chord, 7th chords, chord fingering, chord inversions, chord progressions, chord shapes, chord structure, chord theory, chord voicings, chords, Dark Blue, extended chords, fingering chords, forming chords, identifying chords, jazz chords, Laurie Richards, learning chords, minor chords, playing chords, voicing chords, voicing jazz chords

How would you answer this question from a parent? “Why does the way we learn 7th chords only have 3 notes? To make a F#m7, isn’t that an A chord?” I’m very comfortable with the practical application of the voicing idea between the notes over both…

• Last updated 5 years ago
• 7th chords, accomp, Accompaniment‏, accompaniment 1, accompaniment program, chord diagrams, chord inversions, chord strategies, chord structure, chord theory, chord voicings, chords, defending accompaniment, extended chords, forming chords, identifying chords, inheriting chords, Laurie Richards, learning chords, playing chords, playing-based, playing-based strategies, playing-based tools, root chords, shortcuts, theory, trick, tricks, voicing chords

In this interactive teacher webinar, Laurie walks through the ‘rules’ of how chords are built. Using slides for visual reinforcement of the concepts, the following topics are clearly covered: Major Scale How Triads are Built Other Chord Tones 7th Chords Extended Chords Chord Voicing Chord…

• Last updated 6 years ago
• 7th chords, Accompaniment‏, chord alterations, chord tones, chords, extended chords, jazz, Laurie Richards, major scale, scale, triads, voicing

I have a question about the C7 chord: we drop our thumb down a whole step to Bb, but how does this make it a C7 chord, when Bb is not the 7th note that we count from C? Its full name is “dominant 7th”,…

• Last updated 7 years ago
• 7th chords, accompaniment, chord theory, chords, dominant 7, major 7, major 7ths, scale theory, theory, voicing

I’m processing Jazz Clue 2 in my Touch of Jazz book and have a question. Do you use the minor 7th for all chords except Major 7th chords? i.e. 13th chords, 11th chords, diminished, etc. If it says Maj7, play major 7. If it says…

• Last updated 7 years ago
• 11th chords, 13th chords, 7th chords, diminished chords, dominant 7, jazz clue 2, jazz clues, major 7, touch of jazz

I’m finding that my students are arriving at the Level 2 Foundation accompaniment songs faster than they’re getting to that point in the Accompaniment program. This results in them still being on triads (major and minor) when dominant 7ths come up (Amazing Grace); and then…

• Last updated 10 years ago
• 7th chords, accompaniment, introducing to students, split chords, streams