patterns

Sorry, it’s me again (have a few things floating around in my mind at the moment : ) A parent queried me re the diagrams this week, and I’m looking for a solid answer. The question is: why do some songs have substantial learning clues…

• Last updated 3 years ago
• brains and patterns, diagram, diagrams, Dreams, Dreams Come True, identifying patterns, Laurie Richards, learning clues, Lullaby, Night Storm, patterns, reference clues, remembering patterns, teaching Lullaby, understanding diagrams

Yesterday a coach asked me a question I really did not know the answer to fully. I promised I’d ask the ECL. Here goes: How important/crucial is it for students to fully understand the written patterns in the reference book and be able to explain…

• Last updated 3 years ago
• creating awareness, learning tools and strategies, memorization, memorizing, memorizing pieces, memorizing songs, patterns, PB, playing-based, playing-based strategies, playing-based tools, remembering patterns, thoughtlessness, tools and strategies

Wanted to share something that’s been working well for me. I have one group of boys in level 7 that moves very quickly. To help them keep at their pace, I gave them an assignment to make a video of them describing the patterns, time…

• Last updated 4 years ago
• developing generative skills, developing reading, generative, generative learning, generative students, generative tools, identifying patterns, patterns, reading, reading fluently, reading music, reading outside Simply Music, reading process, reading strategies, reading success, self generating, self generative, self-generate, self-generation, teaching reading

Since my email last night regarding the “Swim Coach” reference to teaching students who play better than you do, I’ve had a couple of emails asking about what exactly “Self-Generating” or “generative” teaching or learning is. What it means, in a nutshell, is the ability…

• Last updated 4 years ago
• arrangements, comp, comp & improv, comp and improv, comp/improv, composing, composition, compositions, developing generative skills, generative, generative learning, generative students, generative tools, identifying patterns, improv, improvisation, improvising, patterns, Robin Keehn, self generating, self generative, self-generate, self-generation

What are some top reasons that you think playing based is a useful approach? One for me: It helps the student see the piece holistically – understanding through patterns the form of a piece. (The ‘puzzle pieces’ as it were.) My favorite is just that…

• Last updated 4 years ago
• applying PB strategies to music, benefits, communicating benefits, confidence as a student, expressive playing, freedom, identifying patterns, Laurie Richards, LAWOL, learning a new way of learning, learning a way of learning, learning by doing, learning strategies, learning tools, learning tools and strategies, memorization, memorizing, memorizing harder pieces, memorizing pieces, memorizing reading pieces, memorizing songs, notation, number of songs on playlist, patterns, PB, playing, playing fluently, playing with expression, playing without looking at hands, playing-based, playing-based strategies, playing-based tools, playing-based while reading, Playlist, playlist size, rate of learning, reading, reading-based, remember, remembering, remembering patterns, size of playlist, speed of learning, using playing-based tools while reading

I don’t understand the “scale journey on the keyboard.” I know a lot about scales and can play them all, but my understanding is this is playing the scales using 3 fingers of the LH and 4 of the RH starting in various positions on…

• Last updated 5 years ago
• composition, improvisation, key, key signature, naturally occuring 3s and 4s, NO 3 & 4, NO34, patterns, playing-based, playing-based tools, reading, scale, scale fingering, scale formula, scale journey, scale maps, scale theory, scales, teaching scale, tfmm, Time for More Music, value of TFMM

Why do we teach the 12-bar blues with CFCC as the first 4 instead of the standard CCCC that is everywhere else? Personally I like the F added in as it makes it more interesting. But does SM have a reason? I’m guessing congruency, so…

• Last updated 5 years ago
• 12 Bar blues, blues, blues & improv, blues & improvisation, Blues and improv, blues and improv program, blues chords, blues songs, blues variation, chord, chord charts, chord progression, chord progressions, chords, finding blues chords, I-IV-V chords, identifying patterns, Jackson Blues, patterns, remembering patterns

I’m learning Shoo-Fly. Any thoughts on reminder clues for the LH runs in the second part? It starts on D and goes up, then starts on C and goes up, and both have a black note but in a different spot. I find myself coming…

• Last updated 5 years ago
• blues, curve, developing generative skills, generative, generative learning, generative students, generative tools, identifying patterns, intervals, learning tools, learning tools and strategies, observatory learning, patterns, playing-based tools, remembering patterns, self generating, self generative, self-generate, self-generation, shapes, shoo-fly, tools, tools and strategies, transpose, transposing, transposition

I need some advice and feedback regarding one of my adult students who is at the start of Foundation 3. His playlist is pretty solid but he sometimes has difficulty remembering the patterns of the old songs though he can play them fine. I have…

• Last updated 7 years ago
• diagrams, Laurie Richards, learning clues, muscle memory, patterns, playing-based strategies, remembering patterns

One of my adult students is very dedicated and his playlist is in good shape overall, except he has quite a hard time with Minuet in G, especially the LH finger patterns. I have asked him to think about how to define those patterns in…

• Last updated 7 years ago
• F2, Foundation 2, Laurie Richards, Minuet in G, Minuet in G LH, Minuet patterns, patterns, playing-based strategies, teaching Minuet LH