applying PB strategies to music

Hi all, I wanted to let you know that my TEDxTalk has been approved for public release, and is now Live on YouTube. Over the years, many people have said to me that I should do a TEDTalk about Simply Music. And whilst promoting oneself…

• Last updated 11 months ago
• applying PB strategies to music, benefits, benefits of piano lessons, brain health, brains and patterns, communicating benefits, comparing traditional to Simply Music, competing methods, creativity, critical neurological nutrition, developing creativity, developing musicality, expression, FIS, free information session, future of simply music, How music can future proof your brain, info session, information session, method, method comparisons, methodology, methods, music making species, musical expression, musicality, musicianship, natural musicality, natural musicianship, Neil Moore, Neil's Responses (YouTube Videos), neurological nutrition, other methods, PB, playing-based, playing-based strategies, playing-based tools, profoundly musical, self expression, simply music, Simply Music Philosophy, Simply Music's value, talking about Simply Music, TED Talk, TEDTalk, TEDx Talk, TEDxTalk, traditional vs. Simply Music, trust the method, trusting the method

Hi Teachers, I’d love your input on how to coach a student through introducing a trill as this is not something I have learned myself. Up to this point controlling the events and breaking it down into groups/fragments and using a TLTR or similar clue…

• Last updated 3 years ago
• applying PB strategies to music, BH, both hands, hands together, HT, learning strategies, learning tools, learning tools and strategies, playing-based strategies, processing, processing issues, processing rhythm, processing rhythms, reading strategies, separate hands, SH, single thought process, single thought processes, STP, strategies, tools and strategies, trill, trouble with hands together, using playing-based tools while reading

I recently met a local guitar instructor who is considering becoming a SM teacher but also apply the SM ideas/tools as much as possible to guitar. To what extent have any of you been able to do this with guitar? Obviously many principles like CTE…

• Last updated 3 years ago
• applying PB strategies to music, guitar, learning other instruments, method, methodology, methods, other instruments, other methods, PB, playing other instruments, playing other instruments with patterns, playing-based, playing-based strategies, playing-based tools

What are some top reasons that you think playing based is a useful approach? One for me: It helps the student see the piece holistically – understanding through patterns the form of a piece. (The ‘puzzle pieces’ as it were.) My favorite is just that…

• Last updated 4 years ago
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In the TTMs Notes for Foundation Level 5 song In My Eyes (5.1), there is a reference to “Fragmenting-Layering” in 5.1.2. I know what fragmenting is, but layering in this context is confusing to me. 🤔 In the TTM video Neil does say something about…

• Last updated 5 years ago
• applying PB strategies to music, FL5, Foundation 5, foundation level 5, fragmenting, Fragmenting-Layering, fragments, In My Eyes, layer, layering, learning strategies, learning tools, learning tools and strategies, Level 5, library, playing-based strategies, shapes, single thought process, single thought processes, STP, strategies, tool, tools, tools and strategies

In Church Song, Level 7, one of the learning strategies is “Locking”. Could I get a clearer definition of what the locking strategy involves? Here’s the definition: Locking: A learning strategy where the hands essentially lock their ‘shape’ into place, but move from one position…

• Last updated 5 years ago
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Could someone explain the “mapping” strategy? I’ve noticed it a few times in the TTM, but I’d like to make sure I understand it completely. Here is an official definition: Observing any section or piece of music as a series of shapes, and assembling those…

• Last updated 5 years ago
• applying PB strategies to music, geography, geography of keyboard, keyboard geography, Laurie Richards, learning strategies, learning tools and strategies, mapping, playing-based, playing-based strategies, playing-based tools, shapes, strategies, tools and strategies

Is it intended that we WILL DO the Development levels or are they just a source choice of reading material when the Foundation levels are finished? If students begin to source a variety of their own reading material and we are helping them with that,…

• Last updated 5 years ago
• additional reading material, applying PB strategies to music, books for reading music, developing reading, development, Development Levels, Development Program, Development songs, Gordon Harvey, hybrid approach to reading, importance of reading, other material sources, outside reading pieces, PB, playing-based, playing-based strategies, playing-based tools, playing-based while reading, RB, reading, reading-based, requirements, source from the page, source instructions from the page, using playing-based tools while reading

My adult (late 50s) student loves the playing-based tools but told me today that for Sit By My Side (F5) he finds them hard to use (think about) when putting his hands together, though he uses them well for hands separate on that song. Besides…

• Last updated 5 years ago
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I have a 12-year-old student in Foundation 8 who is especially interested in classical music. He recently brought in a crazy complicated Chopin piece (Revolutionary Etude) he wants to learn. I have the skills to help him dissect the piece and learn to play it,…

• Last updated 7 years ago
• applying PB strategies to music, chopin, classical music, cross pollination, cross-pollinate, Gordon Harvey, identifying patterns, Laurie Richards, teaching difficult music