improving rhythm skills

I have a question about accommodations. I have a 10 year old student with severe anxiety and perfectionism. She is unable to understand that she needs to practice songs even if she doesn’t like them. She is working on this skill, among others, with a…

• Last updated 1 year ago
• accommodations, adapting, adapting the curriculum, adapting to student's needs, ADHD, anxiety, anxious, anxious student, bullying, changing teaching order, dislikes Reading Rhythm, emotion, emotional, emotional limitations, emotional student, emotional students, emotions, encouraging practice, feeling rhythm, helping students feel rhythm, improving rhythm skills, lack of practice, managing emotion, masters of the rhythm, mental health, MORs, moving slowly, neurodivergence, neurodivergent, neurological issues, neurology, not practicing, not wanting to learn song, not wanting to learn songs, omitting pieces from the program, parents of special needs, patience with slow learners, perfection, perfectionism, poor practice, processing rhythm, processing rhythms, reading rhythm, relationship, relationships, rhythm difficulty, rhythmically challenged, RR, slow learner, slow pace, slow progress, special needs, student anxiety, student dislikes songs, teaching rhythm, teaching special needs, therapist, therapy, validate, validating, validation

If a student already knows the names of the rhythm ingredients (whole through sixteenths) can we use those or should we actively use the informal terminology anyway before the note naming process? This comes up from time to time with students with prior experience! Personally,…

• Last updated 1 year ago
• beat, clapping rhythm, complex rhythm, counting, counting rhythms, difficult rhythm, doubles, eighth notes, feeling rhythm, improving rhythm skills, introducing reading, Laurie Richards, learning note names, marching sdq, masters of the rhythm, note names, outside reading knowledge, physical beat, playing rhythm tracks, previous experience, previous reading knowledge, prior experience, prior reading experience, processing rhythm, processing rhythms, quarter notes, Read and Play, Read n play, reading outside Simply Music, reading process, reading program, Reading Repertoire, reading rhythm, reading terminology, reads rhythm, rhythm, rhythm streams, rhythm tracks, rhythm words, RR, SDQ, singles doubles quads, sixteenth notes, student with previous experience, students with previous experience, students with prior experience, substituting words in rhythm, tapping sdq, teaching reading, teaching rhythm, using words in rhythm learning, voicing rhythms with words, walking sdq

I am finding the variation on Family Tree a challenge, even after leaving it for a time and coming back to it. Can someone give me some tips please? (Or should I just leave that one out?) It is challenging, indeed, in a very similar…

• Last updated 2 years ago
• administering the dosage, audio, audio materials, audio recording, Audio recordings, audio recordings for learning arrangements, audio SHMs, Chester, chester chills out, Chester Chills Out Variation, Chester Samba, Chester Variation, clapping rhythm, complex rhythm, control the events, controlling the events, counting rhythms, CTE, difficult rhythm, dosage, dosage of arrangements, family tree, Family Tree Variation, feeling rhythm, helping students feel rhythm, how to play, humming along, improving rhythm skills, isolating rhythm, lyrics, playing along with audio, playing with audio tracks, processing rhythm, processing rhythms, rhythm, rhythm difficulty, singing along, single thought process, single thought processes, STP, using audio recordings, using audio tracks, what to play

Hi I’ve got a question about students who find it difficult to clap words taking note of where the syllables fall. It came up from assigning a footy chant to a sport lover (e.g. ‘ see the bombers fly up” – from Aussie Rules footy).…

• Last updated 3 years ago
• beat, clapping, clapping rhythm, clapping the beat, complex rhythm, difficult rhythm, feeling rhythm, helping students feel rhythm, improving rhythm skills, isolating rhythm, processing rhythm, processing rhythms, rhythm, rhythm difficulty, syllable, syllables, Tune Toolkit, Tune Toolkit Teaching Techniques, using words in rhythm learning, voicing rhythms with words, writing rhythm, writing rhythms

Help me with teaching more complex rhythm. I’ve listened to the Reading Rhythm program multiple times but I feel like I’m missing something. With The Mirron, for example, there’s a lot of rhythm going on. The way I am used to figuring it out is…

• Last updated 3 years ago
• audio materials, audio recording, Audio recordings, audio SHMs, complex rhythm, control the events, controlling the events, counting, counting rhythms, CTE, difficult rhythm, external speaker, external speakers, feeling rhythm, feet, foot, Gordon Harvey, High Five, humming along, improving rhythm skills, jazz audio track, jazz rhythm, Jazz rhythms, Laurie Richards, layer, layering, listening to audio recordings, listening to the audio recordings, once at the latin, playing along with audio, playing with audio tracks, playing-based, playing-based strategies, playing-based tools, playing-based while reading, processing rhythm, processing rhythms, reverse engineer, reverse engineering, rhythm, rhythm audio, rhythm difficulty, singing, singing along, single thought process, single thought processes, speakers, speaking instructions out loud, STP, tap feet, tapping, tapping feet, tapping sdq, teaching rhythm, The Mirron, using audio recordings, using audio tracks, using playing-based tools while reading, using the audio recordings to learn songs, using the Jazz Recording, voice, voicing rhythms with words, written rhythm

Here’s another getting ready for Reading Rhythm question: Has anyone used hand drums, rhythm sticks, etc. in shared lessons when working on RR? Do you find them helpful and fun, or distracting? Where do you find a good value on quality rhythm instruments? What else…

• Last updated 4 years ago
• clapping, clapping the beat, drums, dry erase, dry erase board, feet, hand drum, hand drums, helping students feel rhythm, improving rhythm skills, Lynn Kleiner, Lynn Kleiner Drums, Lynn Kleiner Drums by Remo, marching sdq, masters of the rhythm, mor, MORs, pat hands, patting hands, playing rhythm tracks, processing rhythm, processing rhythms, reading rhythm, reads rhythm, rhythm, rhythm audio, rhythm instruments, rhythm sticks, rhythm streams, rhythm tracks, RR, SDQ, tap feet, tapping, tapping feet, tapping sdq, teaching rhythm, transcribing, transcribing Reading Rhythm - transcribing, transcribing rhythm, writing rhythm, writing rhythms, written rhythm

One of my private adult students had agreed to start RR but when I did the first exercises with her (walking with SDQ’s) she told me she did not feel comfortable as she feels this is more suitable for children. I told her I have…

• Last updated 5 years ago
• adult students, claiming territory, counting rhythms, difficult rhythm, explaining claiming territory, getting an even rhythm, helping students feel rhythm, improving rhythm skills, marching sdq, multiple thought processes, natural rhythm, not trusting the method, processing, processing rhythm, processing rhythms, reading, reading preparation, reading process, reading rhythm, reads rhythm, reclaiming territory, refusing to learn songs, refusing to play, regaining lost territory ideas, resistant students, rhythm, rhythm difficulty, rhythm fun ideas, rhythm games, RR, RR mastery, RR pacing, RR practice, SDQ, single thought process, single thought processes, singles doubles quads, STP, student processing and resisting approach, tapping, tapping sdq, teacher preparation, teaching rhythm, territory, trust the method, trust the process, trusting the method, trusting the process, trusting the program, walking sdq

I would love to start a conversation about how we might use the MAC soundtracks with our students. Some of the tracks might need some more background or learning to understand their use, but I think others could be used by most of our students…

• Last updated 4 years ago
• adding expression, backing tracks, beat, black notes, Cerebral Palsy, Dreams, Dreams Come True, Eliza, expression, expressive playing, getting an even rhythm, Gordon Harvey, helping students feel rhythm, improv, improv for beginners, improving rhythm skills, improvisation, improvising, internal beat, internalizing beat, MAC, MAC Program, masters of the rhythm, MORs, Music & Creativity, musical expression, natural rhythm, play along, playing along with audio, playing with audio tracks, playing with expression, reading rhythm, rhythm, rhythm fun ideas, rhythm games, rhythmically challenged, RR, self expression, soundtracks, special needs, teaching rhythm, teaching special needs, variation, variations

I can’t wait to use the MAC soundtracks in my own studio. Has anyone already tried this? What ages of children are able to hear the beat within the soundtrack, and match their own playing? What tips do you have in coaching children to be…

• Last updated 5 years ago
• backing tracks, beat, black notes, blues, Dreams, Dreams Come True, Eliza, getting an even rhythm, helping students feel rhythm, Hunter's Blues, improv, improv for beginners, improving rhythm skills, improvisation, improvising, internal beat, internalizing beat, MAC, MAC Program, Music & Creativity, natural rhythm, Night Storm, play along, playing along with audio, playing with audio tracks, rhythm, rhythm difficulty, rhythm fun ideas, rhythm games, rhythmically challenged, single thought process, single thought processes, soundtracks, STP, student lacks rhythm, teaching rhythm

This webinar is driven by teacher questions. Topics range from the rationale behind some of the curriculum to supporting coaches to the future of Simply Music. Enjoy! Topics include: Intro: Funny Story About Neil (00:05) Helping Parents be ‘Requirement-Based’ (2:06) How Teachers Can Improve Their…

• Last updated 6 years ago
• 30-40 songs, blues, blues & improv, blues in every key, creative projects, developing creativity, engaging students, future of simply music, improving rhythm skills, notation changes, repertoire, requirement-based, requirements, rhythm, RR, shared lessons