comp & improv

Showing 11 - 20 of 31 results in comp & improv

Importance of Improvisation

Visiting a teacher’s lesson recently, Neil Moore was asked by one of the students, to say more about the importance of improvisation. Here’s his response. Importance of Improvisation https://www.youtube.com/watch?v=GgLauBzhxTc&list=PL3o0aF_9qHn4F2sy8QRuPb_jf_r4D9823&index=13 Original video posted May 11, 2020

Improv vs. Comp in Tune Toolkit

When you teach projects from Tune Toolkit, are you assigning them as improv projects or composition projects? Do you have the students come back and play something or report on what they did? How do you keep accountability that they are trying the projects? In…

Starting Tune Toolkit with Advanced Student

Mark S. Meritt, any suggestions for starting Tune Toolkit with a student in level 7? Is there a way to accelerate through each project without impeding the layering process? I’ve been through the program a few times with other students but this particular student is…

3-Note Improv

Is the idea with the 3-note comp/improv exercise that the students are to play three consecutive white notes in the RH or can they be any three notes, black or white? I get them to pick any 3 white notes without telling them about the…

Teaching Capitals & Periods Early

Successful new idea I hit upon with a new group. These are kids on the young side, 6-7. I ended up teaching them just the Capitals & Periods from the Pause Button (Tune Toolkit Project 2) prior to teaching them the rest of that project,…

Very fast learning adult student

I have a super fast learning adult student. In 4 lessons he’s done Foundation up to and including Ode to Joy; composed a short song, improvised on black notes, learned the C blues scale, done an arrangement of Dreams, learned different rhythms for Jackson Blues,…

Teaching tip: Preparatory Learning

Teach a very small portion of something without revealing what it’s leading to. This works great with Arrangements, e.g. Soapy Dreams (Dreams #2): I teach just the LH chord shape and ask students to try it in different locations on the piano. Once everyone’s got…

Ear training

I’m curious to know if any other teachers incorporate any ear training into their lessons. I’m thinking about doing some chord quality quizzes as we learn all the different types, or maybe at the end as part of a final review. I remember doing this…

Adult student resistant to comp & improv

Any advice for an adult student who is extremely resistant to comp and improv? She hates improv every time I bring it up and stomps her feet. She does it reluctantly, though. She is also showing resistance to arrangements and is practically hitting a wall…