composition skills
Why Improvise and Compose
How would you explain to 12-14 year old kids why learning to improvise and compose songs is part of the simply music program? How does it help them learn to play songs, if that is their goal? Do you have the Tune Toolkit Program? The…
- Last updated 1 year ago
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Remembering Compositions
Below is an email from a parent. Any advice on strategies I could suggest? This student has been with me for about 6 months. He is in first grade and is moving through Foundation pieces at a just-under-average pace. I have noticed memory is an…
- Last updated 2 years ago
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Improv vs. Comp in Tune Toolkit
When you teach projects from Tune Toolkit, are you assigning them as improv projects or composition projects? Do you have the students come back and play something or report on what they did? How do you keep accountability that they are trying the projects? In…
- Last updated 4 years ago
- benefits of improv, comp & improv, comp and improv, comp/improv, composing, composition, composition skills, compositions, ideas for improvisation, improv, improv at lessons, improv for beginners, improv ideas, improvisation, improvisation ideas, improvising, student composition, student reluctant to improv, toolkit, tracking Tune Toolkit projects, Tune Toolkit, Tune Toolkit Teaching Techniques, writing compositions
Resistance Writing Lyrics
One of my farthest-along students is pushing back on writing lyrics because she doesn’t want to sing. I assigned composition two weeks in a row–make up a song. Then I assigned to make up words for the song. Mom texted me today (their lesson is…
- Last updated 3 years ago
- 3 legged stool, alignment with coaches, changing lyrics, claiming territory, coach, coach responsibility, coaches, communication, composing, composition, composition skills, compositions, creating lyrics, emotion, emotional, emotional limitations, emotions, integrity, Laurie Richards, lesson requirements, limitations, lyric games, lyrics, making lyrics, making up lyrics, managing coaches, managing singing, reclaiming territory, relationship with coach, request, request vs requirement, requirement, requirement based studio, requirement versus request, requirement-based, requirements, requirements in lessons, resistance to c&i, resistant students, selective coaching, shy, shy student, singing, singing along, singing in class, stool analogy, student composition, student processing and resisting approach, teaching with integrity, territory, three legged stool, upset, writing compositions, writing lyrics
Starting Tune Toolkit with Advanced Student
Mark S. Meritt, any suggestions for starting Tune Toolkit with a student in level 7? Is there a way to accelerate through each project without impeding the layering process? I’ve been through the program a few times with other students but this particular student is…
- Last updated 4 years ago
- advanced players, advanced student, advanced students, comp & improv, comp and improv, comp/improv, composing, composition, composition skills, improv, improv at lessons, improv ideas, improvisation, improvising, student composition, tracking Tune Toolkit projects, Tune Toolkit, Tune Toolkit Teaching Techniques, writing compositions
Assignments for Month-Long Break
Would it work, when there is a month-long break from teaching, to suggest that dedicated students (at the appropriate level) work through Tune Toolkit and The Chord Drill on their own? I have the vaguest recollection from the training on those that “students can work…
- Last updated 4 years ago
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Student with Advanced Composition Skills
I am a new teacher; I started my first lessons this month. I have a student, 15 years old, who has been composing his own music for quite some time. I know I have plenty to teach him in other areas, but I have no idea…
- Last updated 10 years ago
- accompaniment, composition skills, student with previous experience, traditional experience