blues

Subsequent to Unmani M.’s post regarding “Shoo-fly” arrangement from Arrangements 3 (originally taught in Level 5), I thought I’d take a moment to revive a discussion from more than a DECADE ago about the fact that Shoo-fly is a BLUES piece 😎. For reference you…

• Last updated 6 months ago
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I have a student in her 70’s who is working on Walk at Eleven. We have been over all the clues many times (C to A to D to G, focusing on the notes a half step above or a half step below, etc.); despite…

• Last updated 3 years ago
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I have been through the library of ECL posts on the topic of duets and gleaned the following ideas: Honey Dew with Melody on top Jackson Blues (or any other blues song) with blues scale improv on top Amazing Grace with melody on top Chester…

• Last updated 5 years ago
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As I am getting students ready for the end of year recital I thought I would share this simple level one idea with you for a duet. While one student plays Chester in the normal position, another student can play Jackson Blues with changes on…

• Last updated 5 years ago
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I would love some feedback please… as I really love the Blues Infusion Program (what I have seen so far of it) but also the Blues & Improvisation Program… My F6 student (who has also just completed TFMM and is working through the second part…

• Last updated 6 years ago
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I recently put together this Spotify playlist of songs that many people may be surprised to find out use the 12-bar blues structure (or fairly minor variations of it). I left out lots of the early rock era (1950s-1960s) songs that use 12-bar structure, since…

• Last updated 6 years ago
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Just wondering when do triplets get introduced in the curriculum? For some reason I did not see them in RR. Are they mentioned later in context of a specific song? I believe the first time they appear is in Blues & Improv “hickory” rhythm. But…

• Last updated 6 years ago
• A Traveler's Tale, A Traveller's Tale, Amazing Grace, arr, arrangement, arrangements, B&I, blues, blues & improv, blues & improvisation, Blues and improv, blues and improv program, complex rhythm, difficult rhythm, FL6, FL7, FL9, Foundation 6, Foundation 7, Foundation 9, foundation level 6, foundation level 7, foundation level 9, Fur Elise, Fur Elise C section, Gordon Harvey, hickories, hickory, masters of the rhythm, reading, reading rhythm, reads rhythm, rhythm, rhythm streams, rhythm tracks, rhythm words, RR, teaching rhythm, tfmm, The Gaz, Time for More Music, time for music, Traveler's Tale, Traveller's Tale, triplet, triplets, using words in rhythm learning, voicing rhythms with words, Walk at 11, Walk at Eleven

I can’t wait to use the MAC soundtracks in my own studio. Has anyone already tried this? What ages of children are able to hear the beat within the soundtrack, and match their own playing? What tips do you have in coaching children to be…

• Last updated 6 years ago
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Why do we teach the 12-bar blues with CFCC as the first 4 instead of the standard CCCC that is everywhere else? Personally I like the F added in as it makes it more interesting. But does SM have a reason? I’m guessing congruency, so…

• Last updated 6 years ago
• 12 Bar blues, blues, blues & improv, blues & improvisation, Blues and improv, blues and improv program, blues chords, blues songs, blues variation, chord, chord charts, chord progression, chord progressions, chords, finding blues chords, I-IV-V chords, identifying patterns, Jackson Blues, patterns, remembering patterns

I am doing the Blues Improvisation ‘Blues Scales’ and have a question about fingering patterns. In the C scale we use F1 on White notes and F3 on Black notes but what about in other keys? I don’t know if I’ve missed it somewhere… but…

• Last updated 6 years ago
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