remembering

I think sometimes students do mindless repetition for practice without breaking it down in such a way that the brain retains the piece. I had a student today who struggles with remembering her pieces so we just slowly went through a series of questions and…

• Last updated 2 years ago
• aural cues, bad memory, cognitive understanding, conscious learning, deliberate practice, key names, key naming, LAWOL, learning, learning a new way of learning, learning a way of learning, learning from SHMs, learning from video, learning note names, learning strategies, learning tools, learning tools and strategies, listing learning tools and strategies, memorization, memorizing, memorizing harder pieces, memorizing pieces, memorizing songs, memory, memory issues, memory muscle, memory problem, mindfulness, muscle memory, naming keys, naming notes, naming the keys, note names, note naming, overcoming memory problems, playing-based strategies, playing-based tools, remember, remembering, remembering arrangements, remembering patterns, remembering variations, single thought process, single thought processes, STP, strategies, tips on remembering arrangements, tool, tools, tools and strategies

I have a student in her 70’s who is working on Walk at Eleven. We have been over all the clues many times (C to A to D to G, focusing on the notes a half step above or a half step below, etc.); despite…

• Last updated 3 years ago
• adult, adult lessons, adult student, adult students, adults, adults with memory problems, blues, blues songs, coaching adults, FL9, Foundation 9, foundation level 9, half steps, improvisation, improvising, it takes as long as it takes, Level 9, older student, older students, remember, remembering, remembering patterns, Robin Keehn, target notes, teaching adults, teaching half steps, Walk at 11, Walk at Eleven, walking bass

What are some top reasons that you think playing based is a useful approach? One for me: It helps the student see the piece holistically – understanding through patterns the form of a piece. (The ‘puzzle pieces’ as it were.) My favorite is just that…

• Last updated 6 years ago
• applying PB strategies to music, benefits, communicating benefits, confidence as a student, expressive playing, freedom, identifying patterns, Laurie Richards, LAWOL, learning a new way of learning, learning a way of learning, learning by doing, learning strategies, learning tools, learning tools and strategies, memorization, memorizing, memorizing harder pieces, memorizing pieces, memorizing reading pieces, memorizing songs, notation, number of songs on playlist, patterns, PB, playing, playing fluently, playing with expression, playing without looking at hands, playing-based, playing-based strategies, playing-based tools, playing-based while reading, Playlist, playlist size, rate of learning, reading, reading-based, remember, remembering, remembering patterns, size of playlist, speed of learning, using playing-based tools while reading

Below is an email from a parent. Any advice on strategies I could suggest? This student has been with me for about 6 months. He is in first grade and is moving through Foundation pieces at a just-under-average pace. I have noticed memory is an…

• Last updated 4 years ago
• #ttci, 3:1 2:1 1:1 ratio learning paces, 50 lessons per year, a year of lessons, audio recording, Audio recordings, benefits of improv, breadth vs depth, C&I, comp, comp & improv, comp and improv, comp/improv, composing, composition, composition skills, compositions, creative projects, creativity, depth vs. breadth in knowledge, developing creativity, diagram, diagrams, improv, improv at lessons, improv for beginners, improving teaching, improvisation, improvising, Laurie Richards, learning pace, lessons per year, Neil Moore, Neil's Responses (YouTube Videos), normal progress, pace, pace of learning, pace of teaching, progress, rate of learning, rate of progress, record students, recording, recording comp and improv, recording pieces, recording students, remember, remembering, remembering compositions, remembering patterns, resistance to c&i, resistant students, simplified melody, simplify this, slow pace, slow progress, speed of learning, speed of progress, student composition, student processing and resisting approach, student progress, student recordings, student reluctant to improv, students progressing differently, students speed of progress, taking videos, toolkit, Tune Toolkit, Tune Toolkit Teaching Techniques, video, video recording students, writing compositions

Any advice on working with senior students who are concerned with forgetting things, arrangements in particular, and want to write extra notes in the diagrams? I feel like I’ve been hearing that a lot lately, that because they’re older they need to write extra notes…

• Last updated 9 years ago
• adult student, dosage, external speaker, memory, Neil Moore, remember, remembering, Robin Keehn, territory

As students work on compositions, is it ok for them to write notes in a Simply Music fashion to help them remember their pieces (starting notes, patterns, form, etc.)? When I began encouraging comp, I started to see students coming with a scrap of paper…

• Last updated 12 years ago
• composition, remembering, writing simply music notes