playing chords

Elizabeth Gaikwad, I have a question about the Chord Drill inversions. I understand that students need to have all Accomp 1 chords solid and that is the prerequisite. What I’m wondering, is how the inversions appear/are taught in Accomp 2? Will it be beneficial to…

• Last updated 4 years ago
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Question for Elizabeth Gaikwad about Chord Drill: Is there an easier way to vocalize ALL the chords when going through the drill? We get tongue-tied saying this out loud – “C# major, C# minor, C# major, C# suspended, C# major, C# major7, etc. etc. Some…

• Last updated 4 years ago
• Accompaniment‏, chord, chord diagrams, Chord Drill, chord games, chord strategies, chords, Elizabeth Gaikwad, inheriting chords, Laurie Richards, learning chord shapes, learning chords, memorizing chord shapes, playing chords, practice, vocalize in Chord Drill

A parent asked me tonight “when will my daughter be able to hear a song, and just know how to play it with all the chords and in the right key?” I was unsure how to answer this, so of course I told the truth,…

• Last updated 4 years ago
• Accompaniment‏, chord, chord structure, chord theory, chords, communication, different facets of musicianship, ear training, expectation, expectations, FIS, four goals, free introductory session, goals, Gordon Harvey, Laurie Richards, managing expectations, matching pitch, musicianship, parent expectation, parental expectations, perfect pitch, pitch, play-by-ear, playing by ear, playing by ear method, playing chords, relative pitch, SM goals, standard of musicianship, talking about expectations

I had a student with extensive prior experience ask the difference between a maj 7th and 7th today so I hope this question makes sense. Is Bb the dominant 7th in the key of F? Cmaj7 is C, E, G, B. C7 is C, E,…

• Last updated 4 years ago
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Would it work, when there is a month-long break from teaching, to suggest that dedicated students (at the appropriate level) work through Tune Toolkit and The Chord Drill on their own? I have the vaguest recollection from the training on those that “students can work…

• Last updated 4 years ago
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Can anyone please tell me: what are the chords in the tailpiece of Dark Blue? Pretty sure those chords are Db6/9, Gb13, Cm6/9. So, what Maureen said – 9, 11, 13th chords must include the 7th. With the 6 and 9 added but no 7th,…

• Last updated 4 years ago
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How would you answer this question from a parent? “Why does the way we learn 7th chords only have 3 notes? To make a F#m7, isn’t that an A chord?” I’m very comfortable with the practical application of the voicing idea between the notes over both…

• Last updated 4 years ago
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I have a student struggling to play all three notes of the triad evenly. She is playing fingers 1 and 3, but neglecting to push down finger 5 consistently. Any tips on how to work with her on this? See if she can rotate the…

• Last updated 7 years ago
• accompaniment, chord fingering, chords, finger 5, finger strength, fingering, playing chords, strengthening fingers

I have a student who recently quit for financial reasons, but now it seems she was unhappy about the Accompaniment part of the program because she feels the accompaniment part is too simple. She tells me now that she would rather run her fingers up…

• Last updated 7 years ago
• accompaniment, Amazing Grace, arpeggios, arrangements, broken chords, chords, Honey Dew, Light of First Dawning, playing chords, scarborough fair