Elizabeth Gaikwad

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Songs for Children Chords Used

I can’t find an answer to this one, so I’m going to put it out there. The Songs for Children: Chords Used chart shows several songs that supposedly use Minor chords. Could someone please explain? Is it, at some point (maybe after introducing minor chords),…

Complex Chords Beyond Accompaniment 1

First, how do you teach all the complex chords beyond the last Danny Boy piece in Accompaniment Book 1? Do you choose other lead sheets? Work on exercises with the other chords? Second, after Accompaniment Book 1, when is a student ready for Accompaniment Level…

Chord Drill Inversions

Elizabeth Gaikwad, I have a question about the Chord Drill inversions. I understand that students need to have all Accomp 1 chords solid and that is the prerequisite. What I’m wondering, is how the inversions appear/are taught in Accomp 2? Will it be beneficial to…

Chord Drill Vocalizing

Question for Elizabeth Gaikwad about Chord Drill: Is there an easier way to vocalize ALL the chords when going through the drill? We get tongue-tied saying this out loud – “C# major, C# minor, C# major, C# suspended, C# major, C# major7, etc. etc. Some…

Chord Drill program

Two of my students emailed me asking about the new Chord Drills program before I had seen the SM email myself! I looked through my emails and the SM website and forum to see if there was info from the teachers’ perspective, but I couldn’t…

Foundation Duets books

A recent post elicited a good solution to managing group classes with more duet stimulation. I just contacted Elizabeth Gaikwad to tease it out a bit more. She said I could post the following in case it helps anyone else. It was a good reminder…

Songs for Children / Songs for Everyone

Some students recently pointed out that the Songs for Children (SFC) book online is different than my older, printed book. The new version only writes the chord when it changes–so if you’re meant to play C several times in a row, it only appears written…

Outside accompaniment pieces

I’ve recently started my first group with the Accompaniment program, and they’re eager to work on some outside projects. At what point do you introduce any accompaniment pieces outside of the curriculum and how do you select them? This particular group is made up of…

Transposing I-IV-V

Once students are comfortable finding I-IV-V in any key, how do you go through the transposition process? Do you do one key a week, multiple keys per week? Do you use both Amazing Grace and Auld Lang Syne? Separately or at the same time? Do…